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OI’s Artists’ and Gourmet Market Draws Crowds at Oglebayfest, Rain or Shine

Artists’ and Gourmet Market Is a Highlight of Oglebayfest

By Laura Jackson Roberts

One year ago, I spent an afternoon at Oglebayfest’s Artists’ and Gourmet Market. Soon, it will be that time of year again, so take a moment to read about my 2015 experience and get yourself all geared up for another weekend of crafts and creations on the hill!

The Phil Maxwell Artists’ and Gourmet Market is my favorite component of Oglebayfest. As a child, I remember a tent that sold sheepskin slippers, a man who built and played Appalachian dulcimers, and glorious food. The market has been showcasing the best of West Virginia’s artistry for decades.

Something for Everyone

In the time it takes me to drive up the hill on Friday, the weather goes from hideous to appalling. Nevertheless, people have flocked to the site. I stop first at Summer Hollow Pottery by Wendy Summers, from Wallback, WV. We talk about the process of becoming an artist, which isn’t all that different from becoming a writer. She tells me that people love the sponge-holders she’s created. What a wonderful coincidence—my sponge desperately needs to be held! It’s just been lying there in the sink lately, musty and alone.

Nature Painting by Sue Smith catches my eye next. Sue is from the area, and her owls stare out of the canvas. “I love owls, so I’ve painted a lot of them,” she says. “Any time I paint a great blue heron, I always sell that, and people love the woodpeckers.” Sue teaches art, and this is her tenth year at Oglebayfest. These are some good-lookin’ owls, and her paintings are also available in the Samara Shop at Oglebay Institute’s Schrader Environmental Education Center (another must-see during Oglebayfest). I’m coming back on Sunday to get a hooter for my office wall.

Oglebayfest Artist Market

The artists are myriad. Cindy Roberts of Raggedy Edges can make a stuffed animal out of a flannel shirt. Alan Fitzpatrick, a local author, lets me leaf through his new book, Place of the Skull, in which he’s written an account of “Weelunk,” the Delaware word for “Wheeling.” I sniff handmade soap from Morgantown, pick out some earrings for my mom, and knock over a wooden scarecrow. Nobody seems to notice.

Organizers Improve Visitor Experience

The director at Oglebay Institute’s Stifel Fine Arts Center, Rick Morgan, gets excited about the market every year, and he works hard to continually improve the experience. This year he tells me about some new additions, including blacktop in the parking area, and a more level grade on the top of the hill that increases the space for tents. Additionally, through the Wheeling Arts and Cultural Commission, artists and market-goers will enjoy live music throughout the weekend.

He also knows that everyone will be especially pleased with the bathrooms. “Typically, we’ve always had porta-johns, but this year we [have] a really fancy porta-john trailer. We’re trying to increase the quality of the experience for everybody.” Rick may laugh at my including this in the blog, but he’ll also never know how much ladies will appreciate this particular upgrade; it’s like a moment of zen in there.

Gourmet Goodies

Though the artists account for three-quarters of the tents at the market, the “gourmet” component proves just as delightful. I see fudge, salsa, fruits and berries, and soup mixes all within ten feet of where I’m standing. Since I’m here alone, I decide to skip my annual gluttony at the wine tents, but I do visit Thistledew Farm’s honey-tasting station. They’ve brought their bees with them, and I’m always excited to see local bees. And though it’s getting colder, the crowds continue to grow and the line for bratwurst lengthens.

gourmet-market

You don’t have to be a West Virginian to have a tent at the market. “But we do jury the event,” says Rick. “We have an application that you fill out, and you submit up to five images of your artwork. I bring in a couple outside jurors … and we’ll go through the applications.”

Supporting Up and Coming Artists

Oglebay Institute also reserves two booths for up and coming artists who might seek financial assistance. “It allows somebody that’s kind of new to that market to … get a free booth. It just encourages new artists to basically take a chance and see what’s going to happen. And we’ve had some very good success stories.”

As I walk back through the market a second time, the popcorn line now stretches ten people deep. The Cheese Melt is here, and the nut folks, Yinz r Nuts! On Sunday when the weather clears, thousands of people will arrive.

sponge

Back at Summer Hollow Pottery, I stop to buy the sponge-holder. And a coffee cup. And what’s this chicken dish thing? Apparently I can impale my chicken with this piece of pottery and steam it from the inside. It’s brilliant. Besides, I’ll need something to clean with my sponge, now that it will be emotionally fulfilled.

The Phil Maxwell Artists’ and Gourmet Market will be open October 7 through October 9 at Oglebayfest, behind the Mansion Museum. Hours are noon – 7pm Friday, 10am – 7pm Saturday, and 10am – 5pm Sunday. Free admission.

Oglebay Institute Craft Workshops: Basket Weaving with the Bumbling Artist

Basket Weaving with the Bumbling Artist

By Laura Jackson Roberts

Have you ever taken the time to look at a basket? I haven’t. A basket is a lovely, handy thing that we all take for granted. I have one made of palm fronds that I put dinner rolls in. But most of us never stop to think about the process by which a basket comes into being. Somebody sat there for hours and hand-wove those fronds into the receptacle for my croissants. Machines do not weave baskets; people do.

Selena Straughn is a self-taught basket weaver. She’s spent her life involved in all manner of crafts, but she really took to weaving. She’s now a member of the West Virginia Basket Weavers Association and the Mound Weavers Guild (of Moundsville). She teaches weaving at the Moundsville WVU Extension Office. The question is, can she teach me?

My writing buddy Rich happens to be in the class too. Together we wet our materials and lay out our spokes and weavers, the pieces that run in vertical and horizontal directions, respectively. Though it’s a little tricky to get started, Selena works with us until we reach the point where we can do it on our own. Once we’ve established a few rows, the process becomes relaxing, almost hypnotic.

Craft Workshops at OI: Basket Weaviing
Rich Knoblich and Laura Jackson Roberts in OI’s Basket Weaving Workshop at the Stifel Fine Arts Center.

I understand, now, both the appeal of weaving and the camaraderie it engenders. Conversation flows naturally and before we know it, we’ve both woven ten rows. Next, Selena teaches us how to lash the top of the basket together. As the baskets dry, she demonstrates how to weave simple, decorative Indian corn. Our last step, after three relaxing hours, is to decorate our pieces. This is actually the part that intimidates me.

Function and Beauty of Weaving.

In the past, I’ve hesitated to sign up for OI’s art workshops because I feel so out of my element. Like ninth grade geometry, crafts don’t click in my brain, and I admit this to Selena. She says that weaving instructors are as varied as any other group. Some enjoy the process of creating patterns in the weave. Some really appreciate color.

“I just like my baskets to be functional,” Selena tells me. In other classes, she’s helped students weave canisters, picnic baskets, and tote baskets. She’s very talented and the baskets are beautiful, but she wants her students to find real-life uses for their weaving. “If it’s only a decoration,” she adds, “you’ll just have to find a place to store it.”

Craft Workshops at OI: Basket Weaving
Basket weaving instructor Selena Straughn.

Granted, we are making a fall decoration today (a larger basket would take eight hours), but in keeping with her penchant for function, she suggests that we eschew hot glue when it comes time to add seasonal decorations. She helps me tie an autumnal ribbon around the basket and shows me how I can remove it in December to add pinecones, holly, or a red bow. Brilliant.

OI Instructors Make it Easy to Create.

Last year Oglebay Institute asked me to attend some craft workshops and blog about them. I admit that I write a lot about how much I stink at artsy, crafty things. At first, it was a funny hook to get you to come to the blog: Come read about the goofball who glued her thumb to her forefinger in wreath-making class. (That actually happened, by the way. You can read about it here.)

But there’s truth in my words: unless I have a teacher giving me step-by-step instructions, I’m lost. I have no creative ideas whatsoever. And yet, as much as I rely on my bumbling attempts at art to relate to my readers, I have to admit that the Oglebay Institute instructors make it pretty hard to screw up. I’m not ready for Selena’s advanced weaving class. Heck no. But I came home with a cute basket and adorable woven corn. Yes, it kind of looks like a banana. It’s never going to win any prizes. What’s so wrong with that?

Upcoming Craft Workshops

This fall, you can find many more opportunities to create a seasonal craft at the Stifel Center:

Thursday, October 6, 6:30-8:30pm: Ceramic jack o’lantern workshop. BYOB and snacks provided.

Saturday, October 15, 12-4pm: Stained glass pumpkin workshop.

Thursday, November 3, 6:30-8:30pm: Christmas wreath workshop. BYOB and snacks provided.

Thursday, November 16, 6:30-8:30pm: Bow making workshop.

In January, you can learn the art of wood burning. In March, silk screen a t-shirt. Beach wreaths in May. Looks like I’m out of excuses.

Please visit OIonline.com for a full list of upcoming craft workshops.