Wheeling, W.Va. (December 18, 2023)–The Museums of Oglebay Institute (Mansion Museum and Glass Museum) have again achieved accreditation by the American Alliance of Museums, the highest national recognition afforded the nation’s museums. Accreditation signifies excellence to the museum community, to governments, funders, outside agencies, and to the museum-going public.
50 Years of Accreditation
The Museums of Oglebay Institute have been accredited by AAM since 1972, which was the second year of the program. All museums must undergo a reaccreditation review at least every 10 years to maintain accredited status. This year’s accreditation marks 50 years that Oglebay Institute has achieved and maintained this national recognition of excellence.
The dedication of Oglebay Institute staff and volunteer members of the Committee of the Museums of Oglebay Institute has enabled the museums to maintain the prestigious accreditation status for 50 years. Pictured, left to right, are Holly McCluskey, curator of glass; Kara Yenkevich, curator; Gerry Reilly, assistant director, Michael Hires, committee chairperson; Christin Byrum, director of museums, and Kassie Edwards, incoming committee chairperson.
“We must credit the foresight of the museums staff in the 1970s, who joined with leaders in the museums field, to become one of the first 170 museums in the United States to be accredited by AAM. They set a high bar for their successors, who have followed their example of maintaining the high standards of professional practices for 50 years,” said Christin Byrum, director of The Museums of Oglebay Institute.
Celebrate with Us: Public Open House January 7
To celebrate this accomplishment, the public is invited to an open house from 10am-5pm on Sunday, January 7. Visitors can explore both the Mansion Museum and Glass Museum free of charge and enjoy cookies and punch at each location.
Alliance Accreditation brings national recognition to a museum for its commitment to excellence, accountability, high professional standards, and continued institutional improvement. Developed and sustained by museum professionals for more than 50 years, the Alliance’s museum accreditation program is the field’s primary vehicle for quality assurance, self-regulation, and public accountability. It strengthens the museum profession by promoting practices that enable leaders to make informed decisions, allocate resources wisely, and remain financially and ethically accountable to provide the best possible service to the public.
Visitors can explore both the Mansion Museum and the Glass Museum (pictured above) for free of charge and enjoy cookies and punch at each location from 10am-5pm Sunday, January 7.
Among an Elite Group of Museums
Of the nation’s estimated 33,000 museums, 1,107 are currently accredited, a little more than three percent of museums. The Museums of Oglebay Institute are one of only five museums accredited in West Virginia. While the Mansion Museum and Glass Museum have separate physical locations, they are classified as one museum by AAM.
The Empire Parlor (1810-1825), one of the period rooms inside Oglebay Institute’s Mansion Museum, illustrates the extensive use of mythical animals in decoration during the Empire period.
Accreditation Is a Rigorous Process
Accreditation is a very rigorous but highly rewarding process that examines all aspects of a museum’s operations. To earn accreditation a museum first must conduct a year of self-study, and then undergo a site visit by a team of peer reviewers. AAM’s Accreditation Commission, an independent and autonomous body of museum professionals, considers the self-study and visiting committee report to determine whether a museum should receive accreditation.
“Accredited museums are a community of institutions that have chosen to hold themselves publicly accountable to excellence,” said Laura L. Lott, Alliance President and CEO. “Accreditation is clearly a significant achievement, of which both the institutions and the communities they serve can be extremely proud.”
About the Museums of Oglebay Institute
The Museums of Oglebay Institute (Mansion Museum and Glass Museum), located in Oglebay Park, serve as a celebration of culture and history. Through careful curation, they serve as informal classrooms where visitors travel through time, connecting with the past through the objects that people have left behind.
The 1846 Mansion Museum is the former home of Cleveland industrialist Earl W. Oglebay. With its impressive collection, displayed in 13 period rooms, as well as permanent and changing exhibits in its galleries, the Mansion Museum enhances the appreciation and understanding of American decorative arts, fosters knowledge of Wheeling history, and celebrates the legacy of the Oglebay family.
Mr. Oglebay’s Office (1910), inside Oglebay Institute’s Mansion Museum, features his large desk and leather desk set.
Oglebay Institute’s Glass Museum celebrates Wheeling’s glass industry with a world-class collection of more than 4,000 pieces of Wheeling-made glass. The museum boasts the largest collection of Northwood glass in the world as well as the largest public collection of Duval glass in the world. The famous Sweeney Punch Bowl, the largest piece of cut glass in the world, is also a highlight of the museum. Visitors can also experience the art of glassmaking through live demonstrations and workshops in Oglebay Institute’s glass studio.
The famous Sweeney Punch Bowl, the largest piece of cut glass in the world, is a highlight of Oglebay Institute’s Glass Museum.
In 2022, Oglebay Institute’s Glass Museum was renovated, redesigned, and reimagined to better showcase its prestigious collection and create a more meaningful visitor experience through extensive physical and interpretive improvements.
Oglebay Institute’s Glass Museum boasts the largest collection of Northwood glass in the world as well as the largest public collection of Duval glass in the world.
Hours of operation for The Museums of Oglebay Institute change seasonally. Now through January 7, the Mansion and Glass Museums are open Sunday-Thursday 10am-5pm; Friday- Saturday 10am-10pm; Christmas Eve & New Year’s Eve 10am-5pm; closed Christmas Day, New Year’s Day.
The Oval Parlor (1910) is decorated with the furniture purchased by Mrs. Oglebay and reproductions of the wall color and window treatments she chose.
About the American Alliance of Museums
The American Alliance of Museums has been bringing museums together since 1906, helping to develop standards and best practices, gathering and sharing knowledge, and providing advocacy on issues of concern to the entire museum community. Representing more than 35,000 individual museum professionals and volunteers, institutions, and corporate partners serving the museum field, the Alliance stands for the broad scope of the museum community. For more information, visit www.aam-us.org.
“All My Sons’ was the best production I’ve ever seen at Towngate!”
“… an amazing performance! So moving. Brought tears to my eyes.” “I saw the show twice and was thusly gobsmacked twice.”
“Rachel Thompson is a wonder, and I don’t have words enough to say how much I admire her ferocity as Kate Keller.”
“To see or not to see? Answer: To see …”
“Tim Thompson, Rachel Thompson, John E. Reilly, and the rest of the remarkable cast were unerringly directed by Dennis Fox into giving a most memorable performance, made even more haunting by Dave Henderson’s evocative set.”
“Rachel and Tim Thompson … wow. Just wow.”
Can Towngate Theatre’s upcoming season live up to the rave reviews from last season’s performance of “All My Sons”?
CURTAINS UP!
Oglebay Institute director of performing arts Tim Thompson (who received many of the above accolades), is looking forward to a rousing new season of well-chosen plays and a slate of experienced directors.
“Our season is similar to last year in play choices … except for one,” he noted. “We are doing a musical again … opening with ‘Into the Woods.’ Bringing back musicals to Towngate has been very successful. Audiences love a musical, and ‘Into the woods’ is Stephen Sondheim. The best.”
Towngate will stage a new drama and an older comedy.
“Our comedy, ‘Biloxi Blues’ (1984) by Neil Simon is a familiar play by a very well-known playwright.” It also was a successful movie starring Mathew Broderick, Tim pointed out.
“Our drama is a newer play (2006), ‘Rabbit Hole’ by David Lindsay-Abaire.” It deals with a young couple’s loss of a child and how to move forward with their lives, Thompson explained.
A new offering this year is Shakespeare. “For the first time since 1976, Towngate will produce a Shakespeare play, ‘Twelfth Night,’” Thompson shared.
A CAST OF DIRECTORS AT TOWNGATE
This year, audiences will experience the work of several directors: Dave Henderson, Towngate’s artistic director, “Into the Woods”; Towngate’s technical director, P.D. Gregg, “Biloxi Blues”; veteran actor Butch Maxwell, “Rabbit Hole.” And Dennis Fox, who called the shots for “All My Sons” last season, will direct “Twelfth Night.”
“Coming off a very successful Towngate directing debut with ‘All My Sons,’ I am very happy and excited to be directing this season’s final production, Shakespeare’s ‘Twelfth Night,’” Fox said. “Considered by many to be his greatest comedy, ‘Twelfth Night’ marks the first return of Shakespeare to the Towngate stage in 46 years. ‘Twelfth Night’ is a masterpiece of romance, comedy, and music, and I am extremely honored and grateful to be able to help bring it to the Towngate stage,” he added.
Dennis Fox, who directed “All My Sons” last season, will direct “Twelfth Night” at Towngate in May 2024.
Fox served as assistant professor of theater instruction and director of theater at Ohio University Eastern for more than 35 years. During his tenure there, he staged more than 100 productions, directing, designing, and acting in many of them.
POWER COUPLE AT THE HELM
Last season’s knock-out presentation, “All My Sons,” is about a successful businessman, Joe Keller, who has been blinded by lust for money during World War II, which results in a tragic conflict between family loyalty and social responsibility.
The cast was led by husband and wife Tim and Rachel Thompson as Joe and Kate Keller. Rachel also works at Oglebay Institute in customer service.
“Directing Tim and Rachel together was a joy,” Fox said. “They are both consummate professionals. I had directed Rachel twice at Ohio University Eastern, but I had never directed Tim before ‘All My Sons.’ The roles of Joe and Kate define the play. They are large, and they are physically and emotionally demanding. Neither Tim nor Rachel is like Joe or Kate, so that made each rehearsal a personal discovery. The fact that they are partners in real life gave them an extra level of trust to explore their characters, which both go to some very dark places onstage. They are both very open to ideas and suggestions, which made the rehearsal process exciting.
The cast of “All My Sons” was led by husband and wife Tim and Rachel Thompson as Joe and Kate Keller.
“Both Tim and Rachel set a great tone and example for the rest of the cast. In rehearsal, you would never have known they were husband and wife, but their chemistry was very evident in their portrayals. It’s the best work I’ve seen from either of them.”
While neither Tim nor Rachel could point to another married couple they’d like to play in the future, both loved working together.
“I just want to act with Rachel more,” Tim said. “She is terrific … so damn talented. And it is exciting, rewarding, and fun to be on stage with her. A very giving actor … but any role with her would be a pleasure.”
Rachel added, “I would love to play opposite Tim again. I think we make a great team.”
ASKED & ANSWERED
Tim and Rachel shared some thoughts about their experiences in “All My Sons.”
Q. What an emotional production! Were the two of you drained every time you rehearsed and performed? How did you decompress?
Tim:Yes, I was drained after every rehearsal and every performance. My character, Joe Keller, has spent the last several years keeping the truth hidden, and this is the day the truth is exposed. Embodying all the back story as well as the confrontations of the day the story takes place was enormous. Joe Keller was the most complex character I ever portrayed, and it took its toll on me. Not complaining, I loved it. But my mind and body were spent each night, especially after performances.
Brendan Sheehan and Tim Thompson.
How did I decompress? … After rehearsals I always review notes, thoughts, lines missed from the evening. Rachel and I would often discuss what worked and what didn’t … or personal issues (that was quite an advantage for us), and then I would do anything I could to not think of the play…TV show, sports, and try to sleep, which was not always easy … anything that took my mind off of the play. After performances, we would do a meet and greet with the audience (a difficult task while numb from the performance), and then Rachel and I would relish the evening but leave it at Towngate. It is important to leave the character at the theater after; it’s difficult but better mentally.
Rachel:Yes, I was definitely drained. It was a really emotional show for me. It was difficult in rehearsals because Dennis would want us to rehearse an act twice, and it was hard to bring the same intensity for both takes, especially act three, which took everything out of me. I would usually not go full throttle until the actual performances. Personally, I left it all on the stage, and I didn’t bring it home. When I did come home, I would try and relax and get my mind off of the play, usually by vegging out in front of the TV.
Karissa Martin and Rachel Thompson.
Q: You have been married for 13 years. What is it like to portray a husband and wife? Is this the first time you’ve been husband/wife in a play? How do you believe your real-life chemistry seeped into the play?
Tim:It is the first time we have played husband and wife. We did play old friends who plan to marry after her character became a widow and my character divorced in Paul Orr’s play “The Widows Tale.” It was a treat and dream come true to play husband/wife in “All My Sons.” The trust is already there, so doesn’t need to be established in rehearsals. Rachel is one of the most talented actors I have ever met, so to play any role with her is an exciting opportunity. But to play husband and wife is the cherry on top. I loved it. I would have to say that the part of our real-life chemistry that seeped in was how comfortable we are with each other. The trust. To portray 30+ years of marriage with secrets and history together with an actor you don’t know well would take a great deal of preparation in rehearsals. We were able to begin rehearsals with already having that. That is a huge advantage.
Rachel Thompson and Tim Thompson.
Rachel:We just celebrated our 13th anniversary, together for 20 years. The best part of playing husband and wife was the built-in chemistry and trust of each other. That’s really important to any actor. We did play opposite each other in one other play, “The Widow’s Tale,” written by our friend Paul Orr who just recently passed away. “All My Sons” was a little different because the characters we played were so unlike ourselves in real life, or at least for me, but there was never a time on stage where I looked at Tim and saw Tim. I always saw Joe. Q: What’s the hardest part of sharing leading roles in a play? The best part?
Tim:I really can’t think of anything that was hard about sharing lead roles. I loved it. Rachel is an amazingly talented actor, my best friend, and love of my life. I can say this, I sometimes found myself admiring her work so much I lost my train of thought for Joe. The best part was just sharing the stage with her and nailing it alongside her. The satisfaction we share with this production is beyond compare.
Rachel:I think the hardest thing was that both of us had to be at rehearsals for long periods of time, leaving our daughter, Grace to fend for herself. The best part was being up on that stage sharing something we both love with each other.
Q: Did the play come home with you? Did you talk/rehearse/think about it together at home? Tim:The process came home with us, but not the tension Joe and Kate experience. We would discuss the play, the production, the relationships but never allowed our real life affected. One thing about rehearsing at home, Rachel and I work differently. I never run lines with anyone. I learn on my own. Rachel likes to run them. I gave in a few times as we got closer to opening. Mainly because I kept blowing the same lines in a scene with her. It worked. I felt our scenes were tight.
Brendan Sheehan, Tim Thompson, and Rachel Thompson.
Q: The fact that the play involves the death of a child, and the two of you have a daughter, was that piece of the action particularly devastating?
Rachel: It was devastating for me because I had to truthfully portray the anguish of a mother who has learned of her child’s death. I didn’t think of Grace specifically, just tapped into that emotion. It destroyed me every performance because I had to take myself to that place to give an honest and believable performance. People would ask how I could make myself cry every night. I couldn’t NOT cry. I felt every bit of Kate’s pain.
Rachel Thompson.
Q: I’d love it if you both could talk a bit about the play itself … Who was Kate? Who was Joe? What did you learn from them?
Rachel:Kate is a strong, no-nonsense woman who will fiercely protect her family. I suspect she is the real head of the household. She is hopeful and capable of immense love. She’s also a little unstable and can lash out if need be. What I took away from Kate was her strength. She gave me confidence. Tim:Joe is a self-made man. Had a very rough childhood … on his own at 10. Worked his way up to running a shop, getting married, having a family, and then owning a factory. So, it was ALL about family. His sons and his wife. Period. That’s what you hope for in the “American Dream” — for your children to do better than you. Wanted his wife to have an easy life and his sons a successful and profitable future …then he made a very bad choice. I learned always best to be honest and accountable for your actions. If Joe was, this could’ve turned out differently … better. Another lesson … one bad choice can ruin everything in your life.
Tim Thompson.
Q: Some of the words used to describe the performance/production were “gut wrenching,” “memorable,” “engaging,” and “riveting.” Can you comment on why you think the play got rave reviews? What words would you use to describe the production?
Rachel:Two reasons why the show got the attention it did was the material and the talent. If you have a great script and strong actors, you will have memorable show. I would describe the show as gut wrenching, thought provoking, and intriguing.
Tim:The play was a success and got rave reviews because of our teamwork … our director, designer, cast worked diligently to find the truth in Arthur Miller’s great play. The success came from total effort, passion, and commitment from all involved during the rehearsal process.
Maria McKelvey, Tim Thompson, John Reilly, and Daniel Loh.
The production was also a hit thanks to our director, Dennis Fox. He cast it well. Understood the play impeccably. He knows how to treat actors and is constantly seeking nuances about the play. His passion for theater is contagious. He created a trusting and exciting atmosphere for all of us to work and play.
Also, Dave Henderson gave us an incredible set … and P.D. Gregg did lighting and sound. When doing a play like this, the environment is so important, and Dennis and Dave wanted it as realistic as possible and close to the audience. So, people felt they were in the backyard with us. I think that worked beautifully.
Set design for “All My Sons” by Dave Henderson.
IT’S ABOUT COMMUNITY
“Last season was a success, but our main season still has room to grow,” said Tim.
“We invite those interested in being part of the creative process of a play to come audition or call to help with production. And that includes AUDIENCE.”
“Theater is an exciting, immediate way to be engaged with a story. Come out and support our very talented local actors, directors, crew in these excellent plays. It is community theater … so be part of the community and attend. You will not be disappointed,” he added.
There is much to experience, much to gain from joining a production at Towngate — in any role — as actor, director, crew, or audience member.
“It is one of the best feelings in the world when you are acting, and you move people; get them to feel, to laugh, to cry, to think … to become engaged in a story that is happening right now … in the moment … immediate.”
Brendan Sheehan, Rachel Thompson, Tim Thompson, Karissa Martin, Alexander Hill.
“… if I never act again, I can retire satisfied because of ‘All My Sons.’ Everything about it made it the best experience I have ever had acting. The best being Rachel … but Dennis, the role, and the cast made it special, too. And, of course, our audience that found it ‘riveting,’ ‘engaging,’ ‘gut-wrenching,’ and ‘memorable.’ How can it get any better than this?”
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