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Stifel Artist Residency Program Welcomes Painters, Ceramicist

By Phyllis Sigal

It’s a brave thing they’re doing, says Rick Morgan, director of Oglebay Institute’s Stifel Fine Arts Center.

What are they doing, you ask?

Art.

Art, for three months in a new city, in a new studio, far from their home bases.

Three artists in three disciplines are entrenched for three months in the Stifel Artist Residency Program, now in its second year.

Thanks to funding from the Elizabeth Stifel Kline Foundation and EQT, Freddie Bainbridge, Terra Leone and Ellie Stanislav, will create, learn, teach and more through the end of June.

Bainbridge, of Pittsburgh, is an encaustic painter; Leone, all the way from Castlerock, Colorado, is a painter and stained-glass artist; and Stanislav from Big Rapids, Michigan, works in ceramics.

“I think it’s a very brave and courageous thing to do — to completely uproot your life, to work in a studio you don’t know. I try to spend a good amount of time to make them feel welcome here,” Morgan said.

SERVING THE COMMUNITY

“When someone is here for three months, we build a relationship,” Morgan said. He still keeps in touch with the three artists from last year’s program. In fact, stained-glass artist Kellie Ahmad who participated in the inaugural program, is planning to share some tips this year with Leone.

All three artists bring new disciplines, ideas and methods to Stifel Fine Arts Center studios, Morgan said. “I get excited about that.”

The artists bring a “new perspective,” “new energy” and are “teaching new tricks.” All of that will “enhance our space,” Morgan believes.

“When you have new people doing new things in your studio, it’s very contagious, and I love that,” Morgan said.

Stanislav hopes that some of her ideas have a lasting effect on Stifel potters. “I hope me being here brings new skills and new ways of thinking,” she said. She has a “deep desire to share my ideas and processes of tile making and would love to lead or co-lead with other artists a tile-making workshop series.”

Bainbridge said, “I see this residency as a valuable exchange between artists at different stages of their careers. The communal environment of Stifel Fine Arts Center offers a dynamic space where [artists] can learn from one another, share technical expertise and push creative boundaries.”

Freddie Bainbridge, of Pittsburgh, is an encaustic painter

“The three of us are already bouncing ideas off one another,” Stanislav said.

Morgan also believes it’s important for the public to understand what goes into the creation of visual art. The three artists will instruct workshops at Stifel, offering the public a hands-on opportunity to learn their processes. They also will participate in outreach programs at several Belmont County senior centers. At the end of the residency, the artists will show and sell their work at an exhibition.

A TWO-WAY STREET

While Oglebay Institute will benefit from this injection of new energy, the artists get to create to their hearts’ content for their time here in Wheeling. They receive a stipend, housing and the freedom to work all day in the historic Stifel Fine Arts Center.

“Our studio space is really nice, very impressive. They’re working in a mansion!” Morgan said. Additionally, they can use the equipment in the Stifel studios — equipment that is expensive that they may not have access to in their hometowns. Not having a kiln or a pottery wheel or glazes can be “huge barriers” to an artist, he pointed out.

“They get to fall in love in Wheeling, and that’s a cool thing. They’ve taken a leap of faith to come here. Hopefully it will be a good experience,” Morgan said.

Terra Leone, from Castlerock, Colorado, is a painter and stained-glass artist.

“I am excited about the possibility of working alongside fellow artists, engaging with the rich creative energy of Oglebay Institute, the surrounding community and using this experience to propel my career forward,” Bainbridge said.

Stanislav has her sights set on the Stifel kiln, but along with her tile making, she would like to learn the business side of life as an artist. “Both the work I create and the entrepreneur I can become during the residency are the transformational experiences I seek,” she said.

Ellie Stanislav from Big Rapids, Michigan, works in ceramics.

Leone shared, “This residency offers a unique opportunity to merge the ancient art of stained glass with my existing artistic pursuits, and I am eager to contribute my perspective while learning from this experience.”

THE ARTISTS

TERRA: A New Facet to Her Art

 “My work delves into the mystical connection between nature and the unseen energies flowing through all living things.” — Terra Leone

Terra Leone — who, some days rides her electric unicycle to the Stifel Center from her housing at Oglebay Park — wants to add the art of stained glass to her repertoire during her residency. The multidisciplinary artist also works in oils, acrylics, murals, metal smithing and digital art.

Specifically, she wants to create stained-glass pieces to serve as three-dimensional models for two-dimensional paintings.

Terra Leone painting in the Stifel studio.

“A year and a half ago it popped into my head to do stained glass, then paint it. And I love learning new things,” she said. “The opportunity to learn a new medium will not only enhance my own practice but also allow me to share insights into the intersections of various art forms with the community.”

She’s been teaching herself to make stained glass via YouTube, TikTok and Instagram, but her hands-on work at Stifel should take her craft to a higher level.

“I am a self-starter, constantly researching and testing new ideas to push the boundaries of my work. This adaptability and curiosity are what make me an excellent fit for this residency,” she believes. “I was really excited when I got the [acceptance] email.”

Her end goal is to take home a lot of reference material — her newly created stained-glass pieces — to use in future oil paintings.

“I want to get better at both [stained glass and painting],” she said. “I’m pretty good at painting, but I think I could paint for 100 years and still just scratch the surface.”

FREDDIE: Waxing Artistic

“I aim to make the world a little more beautiful every day.” — Freddie Bainbridge

Dancer, house painter, interior designer, and now, encaustic painter with a residency at Stifel Fine Arts Center — that’s Freddie Bainbridge. And that’s quite the journey for one artist.

But to hear him talk about the “magical” encaustic process, it seems his journey has taken him in the right direction, to the right place.

Encaustic art uses beeswax, pigment, water and heat. Examples were found as far back as 100-300 AD — the oldest surviving encaustic panel paintings are Romano-Egyptian Fayum mummy portraits.

Bainbridge describes encaustic art this way: “Layers of molten wax, bold pigments and embedded materials create ethereal landscapes where color, texture and light converge.”

He tried the process a decade ago, but it wasn’t the right time. Now, it seems, the time is right.

Freddie Bainbridge poses with an encaustic painting he completed during his first week in the Stifel artist residency program.

“It took me until now to put it all together,” he said. “It” includes collage, photography, semiprecious stones, dried flowers and jewelry. He also loves acrylics, metal paintings and big spaces. “This product allowed me to combine it into one type of art.”

Bainbridge was searching for fine art juried shows — one of his pieces was accepted for a recent hip-hop exhibit at Stifel — when he came across the residency.

While here, he’s hoping to build his collection of his work, while participating in community outreach and presenting workshops.

“I’m hoping it will open doors. These people are awesome — some of the most professional people I’ve dealt with.”

And, he’s happy to be back in the valley. Bainbridge’s journey began in nearby Mingo Junction, Ohio, before his mom moved him to Washington, D.C., to pursue ballet as a youngster. The first Broadway touring show he ever saw was “A Chorus Line” at the Capitol Theatre, 45 years ago.

“So it’s cool to be here. … Oddly enough, I feel like I’m coming home.”

ELLIE: Breaking Into Her Mold

“I found rhythm and stability in tile making, offering me the opportunity to find clarity and make meaning of a past that was first washed away in flood waters, but then re-emerged through flowers connected to New Orleans.” — Ellie Stanislav

Ellie Stanislav, fresh out of Michigan State University and “just breaking out as an artist,” is here to explore, get new ideas and increase her cache of work.

She has found her niche as a tile artist. Her process involves making plaster-cast molds, then “punching in the clay” to create the tiles.

 

Ellie Stanislav has found her niche as a tile artist. Her process involves making plaster-cast molds, then “punching in the clay” to create the tiles.

Her childhood is embedded in her work. Black-eyed Susans and magnolia flowers are evident in her tiles, representing her early years in New Orleans. Her family moved from the Big Easy to Big Rapids, Michigan, in 2004, after Hurricane Katrina flooded their home.

Incorporating those symbols into her art is her way of holding onto memories of the brief years she lived in New Orleans, she noted.

While in Wheeling, she wants “to experiment and keep making tiles,” she said. Her latest tile motif is the tansy beetle, with the addition of flowers and leaves.

The young artist pointed out, “It’s a lot of pressure to go into the world and establish yourself.”

However, she’s already attracting attention.

Shortly after graduating from MSU, she won first place in the emerging artist category at the 2024 Michigan Ceramics Biennial Exhibition. (Coincidentally, George Rodriguez, whose work was part of the recent “Earth and Fire” exhibit at Stifel, juried the show.) “I also got into Manifest Gallery in Cincinnati, which is a big deal,” she noted.

“I’m excited to be here,” she said. “Coming into the studio, I put on my overalls, put my hands in my clay … it’s easy, my brain just works away!

“This is huge for me to say ‘yes’ to do this, to be here on my own. I think I’ll step away stronger. If I can do this, I can do the next thing.”

MEET THE ARTISTS MAY 10 AT STIFEL OPEN HOUSE

Join us from 1-3pm Saturday, May 10 at Stifel Fine Arts Center for a free open house and art demonstrations with the 2025 Stifel artists-in-residence.

Watch as they demonstrate their skills. Ask questions. Discuss art and life. Explore art-making tools, and learn more about upcoming hands-on workshops with each artist. You can also tour the Lyrical Abstraction exhibition on display in the galleries.

UPCOMING WORKSHOPS

The artists-in-residents are conducting workshops for the community!  The current schedule is listed below. Other programs may be added throughout the Stifel artist residency program.

Some of the workshops have sold out, but more may be added to the schedule. If the class your are interested in is full, please call 304-242-7700 to be added to the wait list. 

BLOOM & BURN: Encaustic Dried Flowers Workshop, presented by Freddie Bainbridge

Wednesday, May 28, 6-9pm
Celebrate the beauty of botanicals by combining the lush texture of encaustic wax with dried flowers. This class focuses on capturing the delicacy, drama, and abstraction of flowers using encaustic techniques. Learn basic encaustic techniques including fusing, layering, and texture. You will enhance the surface with mica powders or pigments to create a luminous, botanical piece on a 9×9 inch board. Bring your favorite dried flowers or use what we have to offer.

$25/$20 OI members (Includes material fee.)
Register online or call 304-242-7700

MEMORIES IN WAX: Encaustic & Photography, presented by Freddie Bainbridge

Wednesday, May 21, 6-9pm
Blend nostalgia with rich encaustic texture by incorporating photography into wax-based artwork. In this workshop, students will learn how to fuse their own photographs onto wood panels using encaustic wax. We’ll explore techniques to enhance the photo surface with translucent layers, pigment sticks, and metallic
powders on an 8×10 board.

$25/$20 OI members (Includes material fee.)
Register online or call 304-242-7700

WAX IN MOTION: Abstract Encaustic Exploration, presented by Freddie Bainbridge

Saturday, May 17, 10am-1pm
Let intuition lead the way in this playful encaustic class focused on abstract expression. Explore mark-making, color layering, and spontaneous composition through wax. You will be encouraged to have creative freedom through abstraction. Experiment with layering, scraping, fusing, and texture and understand color interaction and composition in wax on a 9×9 board.

$25/$20 OI members (Includes material fee.)
Register online or call 304-242-7700

Tile-Making, presented by Ellie Stanislav

Saturday, May 31, 1-3:30pm
In this workshop, you will have the opportunity to make tiles. You can make one 8×8”, two 4×8”, or four 4×4” tiles. A slab will first be formed and using subtractive and additive relief sculpture techniques using clay and tools, you will be able to make your own textures and designs to make decorative tiles. All clay and tools will be provided by the studio.

$25/$20 OI members (Includes material fee.)
Register online or call 304-242-7700

Tile and Mold-Making for Collaborative Tile Arrangement, presented by Ellie Stanislav

Wednesday, May 14, 21, 28, 1-3pm
In this multi-day workshop, students will learn the technique of ceramic mold-making and how to make a master model suitable for a one-part mold. In the first session, you will design a tile to the dimension of 6x6x0.5” in preparation to make a one-part mold of the tile. In the next class, we will build mold boxes, mix and pour plaster over our master models. Once the molds have dried out, a third session will allow students to cast their tile molds. Casted tiles will be glazed and fired and shown in a collective tile arrangement at the Artist-in-Residence exhibition at the end of June. Clay, tools, and plaster will be provided. Plaster is messy and difficult to remove from clothing, please wear suitable clothing on mold-making day.

$35/$30 OI members (Includes material fee.)
Register online or call 304-242-7700

One-Part Mold-Making, presented by Ellie Stanislav

Thursday, May 22, 6-8pm
In this workshop, you will learn the technique of ceramic mold-making and how to make a master model suitable for a one-part mold. You will have the choice of casting whatever you wish to make, must be suitable for one-part mold.

$25/$20 OI members (Includes material fee.)
Register online or call 304-242-7700

Mural Class: Let’s Make the World More Beautiful—One Wall at a Time, presented by Terra Leone

Saturday, May 31, 10am-12pm
The world needs more art, and you can help make that happen. In this class, you’ll learn how to properly prep a wall for painting, discuss the multiple ways to transfer your design (including using a projector) and tips, tricks, and techniques to bring your vision to life. No tools required, just bring your creativity!

$15/$10 OI members (Includes material fee.)
Register online or call 304-242-7700.

Filming Content for Social Media: Plug In, Set Up, Shoot, presented by Terra Leone

Tuesday, May 20, 1-3pm
Whether you’re creating reels, tutorials, or behind-the-scenes clips, this class will help you level up your content creation game. In this class you’ll learn how to set up your gear (lights, tripods, cameras, phones), cable management and making your setup clean and efficient and framing, lighting, and sound basics for scroll-stopping content
No fancy equipment needed—just curiosity and your smartphone to start!

$15/$10 OI members
Register online or call 304-242-7700.

Design & Dazzle: Using Procreate for Stained Glass + Painting Patterns, presented by Terra Leone

Saturday, June 7, 10am-12pm
Turn your iPad into a powerhouse for art planning and social content! In this class, you’ll explore how to use Procreate to create custom patterns for stained glass or paintings—and how to capture your process with the timelapse feature for great social media content.

What you’ll learn:
• How to sketch and design patterns using layers and symmetry tools
• Planning for stained glass or painting workflows
• Using timelapse recording to share your creative process
• Quick tips for clean, engaging visuals

We’ll be using Apple TV to share demos on a mobile TV stand. No tools necessary—just bring your iPad & Apple Pencil if you have them!

$15/$10 OI members
Register online or call 304-242-7700

Irish Play “Dancing at Lughnasa” at Towngate Theatre

Oglebay Institute’s Towngate Theatre in Wheeling continues its season of community theater with a production of “Dancing at Lughnasa”—Irish playwright Brian Friel’s award-winning masterpiece that poetically speaks to our common humanity and the beauty found in our everyday lives.

It will be staged for two weekends—March 14, 15, 16 and 21 and 22.

A Moving Portrait of Family Life, Sisterhood, Dreams, and Desires

Set in the rural Irish countryside in the summer of 1936, the play centers on five unmarried Mundy sisters— Kate, Maggie, Agnes, Rose and Chris — who battle poverty to raise seven-year-old Michael and care for their brother, ‘Uncle’ Jack. The sisters fight each other, love each other, dance, yearn, and survive.

While life is difficult for these complex, flawed characters, their story is one where magic still exists—even in the face of life’s harsh realities.

Left to right: Maura Danielle Reiff-Parissi, Jennifer Kellner-Muscar, Kayla Starkey, Micah Underwood, and Makayla Carney.

“I want audiences to see a bit of themselves in these characters,” director Cassandra Majetich said,” whether that is sisterhood, or religions from across the world, or a child being left by a parent, or fear of losing a job, or hopes of finding love one day, or having the courage to dance around to just get through the day. These hopes and fears haven’t changed since 1936 and will continue to be experienced beyond our years.”

“Dancing”—Literally & Metaphorically

“Dancing” in the title of the play is both literal and metaphorical, Majetich explained. The story unfolds during the Celtic harvest festival of Lughnasa, where Pagan and Christian meet and collide. However, dancing represents something more throughout the play–celebration, joy, connection, an escape from the mundane.

Each of the characters in the play dances at some crucial moment. Majetich said these moments are significant. “Anytime we see dancing throughout the show it’s a moment of getting carried away, the release from all our troubles and worries, and to truly be in the present moment.”

One of the play’s most memorable scenes is when the five sisters stomp and whirl in joyous movement to Celtic music. “It’s an iconic sequence of the play throughout its history. These five actors and the dedication they bring to their sisterhood is something that the Ohio Valley doesn’t want to miss,” she said.

Ever-Evolving Societal Norms

Another theme the play explores is “how societal norms are constantly evolving,” Majetich said.

“In this time period women are supposed to be married by their late teens or at the latest by their early 20s, with children, and being provided for by the patriarch of the household. But we see the five sisters with none of that. All are unmarried and ‘past their prime’ and only one sister has a child, but he is born out of wedlock. And it’s not even that these characters try to be rebellious and fight norms. They would all like to ‘fit it’… but they have to make do with the way their lives have ended up.”

Kody Starkey and Kayla Starkey.

Clash Between Old and New Religious Views

She added that “Dancing at Lughnasa” also looks at “how society is changing from religious to secular.”

Throughout the story, we see the clash between old and new religious perspectives. For example, the play explores the tension between oldest sister Kate–a staunch Catholic and head of the family—and Jack, who has recently returned after doing 25 years of missionary work in Uganda.

Jennifer Kellner-Muscar, Eric Dutton, Maura Danielle Reiff-Parissi.

A “Memory Play” Framed by Childhood Recollections

“Dancing at Lughnasa” is a “memory play” framed by the narrator’s childhood recollection.

“The story is told through the eyes of the narrator Michael—the illegitimate son of Christina Mundy and Gerry Evans. He opens the play with, ‘When I cast my mind back to the Summer of 1936…’ and goes on to reflect upon his childhood, and why this moment in time had a significant impact for him and his family,” Majetich said.

Majetich also noted that the play is semi-autobiographical and loosely based on the lives of the playwright’s mother and four aunts.

Finding Beauty in Everyday Life

When approached to direct the show, Majetich said she wasn’t deeply familiar with the play, but she fell in love with the script and became immediately excited to direct a “female heavy ensemble piece.”

“Brian Friel is oftentimes referred to as the Irish Anton Chekhov. Both of their playwriting styles focus on representing real life on stage. Most of the time we go through life seemingly mundane, nothing flashy. But there is a beauty in dealing with the everyday problems and joys of family life and then of course there is the background noise of society that just keeps going in spite of our everyday lives,” she said.

Top-Notch Cast Exemplifies “Where Community Meets Creativity”

Cast members are Vincent Marshall as Michael Evans, Jennifer Kellner-Muscar as Kate Mundy, Maura Danielle Reiff-Parissi as Margaret Mundy, Micah Underwood as Agnes Mundy, Makayla Carney as Rose Mundy, Kayla Starkey as Christina Mundy, Kody Starkey as Gerry Evans, Eric Dutton as Father Jack, Nico Muscar as Boy Michael.

Majetich said the cast is “top notch” and really speaks to Towngate’s mission– “Where Community Meets Creativity.”

“Dancing at Lughnasa” is a “memory play” framed by the narrator’s childhood recollection of growing up in rural Ireland with his mother and four aunts. Vincent Marshall, front right, plays the narrator. Seated, left to right, are Makayla Carney as Rose, Maura Danielle Reiff-Parissi as Margaret, Jennifer Kellner-Muscar as Kate, Nico Muscar as Boy Michael. Back row, left to right, are Eric Dutton as Jack, Micah Underwood as Agnes, Kayla Starkey as Christina, and Kody Starkey as Gerry.

“We have a wide variety of experience and backgrounds on that stage, from extremely experienced actors and directors to fresh faces that have never been in a play before. We have mothers (me included) that want to get back into theatre and do a little something for ourselves. We’ve got a mother and son in the show that get to share the stage together. Theater is more than just a play. It’s about encouraging others to see what all they are capable of.”

Building Characters from the Ground Up

Majetich, who has a bachelor’s degree and master’s degree in theater, said her training as an actor greatly influenced her directorial approach to the play.

“When I act, I like to play around on stage to begin thinking how my character will come to life, so I really challenged the actors in this show to build their characters from the ground up. This is an ensemble piece, so it was extremely important to me for them to take ownership of the world they are creating.”

Micah Underwood and Makayla Carney.

Thank You, Sponsors!

This production is presented with support from Towngate’s main season sponsor Unified Bank with additional support from Sean O’Leary and Dr. Michael J. Ramsay.

Get Tickets!

Curtain for Towngate’s production of “Dancing at Lughnasa” is at 8pm March 14, 15, 21 and 22, and 3pm Sunday, March 16. Purcahse tickets online or call 304-242-7700. You can also purchase tickets at the door, if available. Box office opens one hour prior to curtain.

More Than Theater…

In addition to community theater, Towngate offers children’s theater, ballet, improvisational comedy, and live music. Towngate is also a single screen cinema, offering movies on select evenings and features changing art exhibitions in The Gallery at Towngate. Theater classes are also offered year-round.

Towngate is in Wheeling’s historic Centre Market District. This church-turned-theater is one of several Wheeling venues operated by the non-profit Oglebay Institute. Other OI facilities include: Stifel Fine Arts Center and School of Dance on National Road, the Mansion Museum, Glass Museum and Schrader Environmental Education Center in Oglebay.

As a nonprofit community theater, Towngate relies on the generosity of patrons, neighbors, and friends who invest in our community and the stories we tell together. Memberships to Oglebay institute also support the work of the theater and all Oglebay Institute venues. Oglebay Institute memberships are available in a variety of price ranges and include perks such as discounts, special events, priority registration, and more.