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Appraisal Guys Return to Wheeling in Search of Treasure

Appraisal Guys Return to Wheeling in Search of Treasure
By Laura Jackson Roberts

I know that I’m not the only person in Wheeling with an attic full of clutter: old quilts, a cracked woodwind instrument of some kind, my dad’s sword from his Linsly marching days, and at least one creepy clown doll. Lots of folks have junk in the attic. But when it comes to sheer volume, I like to think I’m the queen. The czar of junk. Most of it is piled so high we don’t even know what’s in there. We excuse this hodgepodge vortex by reminding ourselves that our family has lived in the same house for over one hundred years.

It’s a century worth of stuff. So when Oglebay Institute asked me to attend the annual Appraisal Fest at Cabela’s where The Appraisal Guys, Tim Luke and Greg Strahm, were once again holding an event to raise money for The Museums of Oglebay Institute, I tied a safety line around my waist and went up there to see what I could find. The family eventually sent in a Saint Bernard to locate me, but I emerged with three old toys: a WWI doughboy doll that belonged to my grandfather, a metal train set my son, Benjamin, has beaten the heck out of, and Skippy, the walking cocker spaniel.

Up at Cabelas, lots of folks wait to see Tim and Greg. Around me, people hold paintings and plates. Someone wheels in a dollhouse. I note an abundance of glass and ceramics: wine glasses, pitchers, vases. It’s the same kind of breakable mishmash in our china cabinet that triggers an outbreak of hives when I see my boys hurling a rubber triceratops across the dining room.

I’ve brought my dad with me, and while we wait for our turn, we watch Greg speaking with a woman about a framed painting. He inspects it, consults his electronic database, and talks about the origins and value of the piece; Tim and Greg refer to a database of past auctions to determine an approximate value of an item.

When our turn comes, we sit down across the table from Tim and pull out the doll. “A doughboy!” he says excitedly and begins to inspect it, turning to his own tablet to search for the doll in other auctions. He quickly finds it and explains that the toy is largely comprised of a material called composite, a predecessor to plastic. Our doughboy is a little banged up, but in better condition he might fetch $150.

Next up is Skippy, another one of my grandfather’s toys. We love Skippy, and Tim quickly finds the dog in his auction database, to my surprise. Skippy was likely made by a Fisher Price competitor sometime between 1920 and 1940. He’s held together by metal pins, not plastic, and he’s also made of composite. Alas, Skippy’s value lies only in our nostalgic hearts; the little mutt wouldn’t sell for more than $15. Not that we would ever part with him.

But Tim smiles at me and the toy. “It’s well played with,” he says. “And you know what? The memories…they’re priceless.”

Home Visit Appraisal Services

My dad and I talk to Tim about their home visit service. If you’ve got a collection of stuff like mine, the Appraisal Guys will come to your house. “It’s part of our valuation service,” Tim says, and goes on to explain the important difference between valuation and appraisal. For valuation, the guys act as auctioneers. They give estimates as valuation experts.

For an appraisal, however, the process would be a little different. “The appraisal will depend on what you need. Is it for fair market value? For estate purposes? Is it equitable distribution in a divorce? Is it for insurance purposes? One piece would have three or four different values depending on the scope of work and the purpose, the intended use, of that appraisal. We’re going through just as we would as an auctioneer or an estate sale or value expert.” If the guys come to your house, they’ll give you a valuation, the amount that similar pieces have fetched in auctions.

My father and I are so intrigued that we schedule a home visit for the following week, the proceeds from which will go to the Mansion Museum. Pewter, glass, and china all come out in anticipation of Greg and Tim’s arrival. We polish up the antique clocks, dust off the framed family sampler, and line up the dining room chairs. The model ship comes down from its kid-proof place on top of a bookcase. Greg takes a long look at each piece we’ve laid out. Nothing is particularly unusual or valuable. In fact, he’s seen many of these kinds of pieces in homes like ours. It turns out that everyone in Wheeling has a similar collection, and such glassware and china accounted for the majority of valuations they did at Cabelas.

Find Out the Story Behind Your Treasures

What we’re really interested in is the story behind each piece, and that’s the fun of having The Appraisal Guys come to your house. Odds are good that you’re not going to find anything terribly valuable (the beautiful old clock turns out to be the Timex of its era and the weird jade unicorn head is gallery art) but every family has its treasures, and Tim reminds me that, like Skippy, the value of these pieces lies in the memories they hold. Nana’s china, Grammy’s silver…they’re priceless to us.

Ship People?  Duck People?

As they inspect the model ship, Greg makes reference to ship people. There are ship people out there. Collectors. On a whim, I ask him about wooden duck decoys. Are there duck people out there? Yes, he tells me, and some of them have valuable collections. Out of curiosity, we dig out one of our own wooden ducks, and as we set it down on the table, its head falls off. Greg looks grim; Tim laughs hysterically. I do too. This has been so much fun, despite the fact that we didn’t find any big surprises.

As Greg and Tim say their goodbyes, I’m curious about their day at Cabelas and I ask them about the most valuable thing they saw. Tim tells me that someone brought in an old German violin. It was in excellent condition. I think back to his valuation of our final item at Cabelas the other day. What about that little toy train, the antique beauty my son has been roughing up for several years now?

We’d saved the beat-up train for last. Car by car, I pulled it out of the bag, and when the sad little coal tender flopped onto its side because it had no wheels (which we’d brought along in a baggie), I was ashamed. Tim inspected it and consulted the auction website.

“So the passenger train, if it were in excellent condition, sold for $500,” he said. For a moment I felt the thrill of excitement. A treasure!

“But in this kind of condition,” he continued, “you’re looking at, probably, let’s take a zero off that. Let’s go to $50.”

Thanks a lot, Ben.

Appraisal Event is Sept. 9, 2017 at Cabela’s

The Appraisal Guys return to Wheeling for the annual appraisal event from 10 a.m. – 2 p.m. Saturday, September 9 at Cabela’s at The Highlands.  You can have your items appraised for $15 each or four items for $50.  Click here for more information or call 304-242-7272

Pittsburgh’s Penn Avenue Artists Exhibit at Stifel Mansion

#OpenOnPenn Features Street Art, Cultural Activism & Pittsburgh Pierogies

If you are driving on National Road near the Stifel Fine Arts Center on Thursday, September 7, you will see eye-catching, mobile art created on unconventional canvases– automobiles.  Three “art cars,” created by Jason Sauer of Pittsburgh’s Most Wanted Fine Art, will be on display outside the historic Stifel Mansion during the free, public opening reception for the #OpenOnPenn contemporary art exhibition.

What exactly is an “art car,” you ask?

An art car is a road-worthy vehicle that has been transformed as an act of personal and artistic expression.  They range from imaginatively painted vehicles to extravagant sculptured shells.  Pittsburgh son and legendary pop artist Andy Warhol painted what is considered to be the most valuable art car in the world, a BMW MI, in the late 1970s.

Creating art cars is just one of Sauer’s many artistic passions.  He creates art from objects locally sourced from his environment and uses the art to create dialogue within his community. From PPG Paint & Alcoa Metal for paintings, to recycled materials for sculptures or smashing up cars in the demolition derby as performance art, Sauer shows the power of rebirth.

Artwork by Jason Sauer

He and his wife Nina are owners of Most Wanted Fine Art on Penn Avenue in Pittsburgh and are committed to bringing diverse people and voices to the arts district.

Sauer is one of five artists featured in the #OpenOnPenn exhibit at Oglebay Institute’s Stifel Fine Arts Center in Wheeling.

Penn Avenue Arts District:  #OpenOnPenn

The exhibit features work from artists of Pittsburgh’s vibrant Penn Avenue Arts District, which sprang from the Penn Avenue Arts Initiative. The initiative revitalized the Penn Avenue Corridor into a creative, eclectic and happening business district rooted in the arts and one of the city’s hottest cultural areas.

Oglebay Institute curator of exhibitions Michael McKowen said the exhibit has a “contemporary, urban, street-art feel” and  includes diversity of style, media, subject matter, influences and voice.

“One of my goals as curator is to bring exhibits to Wheeling that feature non-traditional mediums, expand our definition of what art is and cause us to rethink the boundaries between visual arts and popular culture.”

McKowen said some of the artists are formally trained with degrees in art, while others are self-taught and others have developed their style from the graffiti that adorns public structures.

“Much of the art has a very strong graphic appeal that reflects urban cultural trends and style.”

Michael McKowen

Many artists featured in #OpenOnPenn speak to social justice issues. “Their work often is in response to social, political, gender and race issues facing their community and the country at large,” McKowen explained.

In addition to the artwork, newspapers, video and photographs will be on display that chronicle how the art initiative revitalized Penn Avenue into the cultural exchange it is today.

Exhibit Celebrates the Cultural, Political, Economic & Personal Dimensions of Art

“The exhibit celebrates the power of the arts to revitalize neighborhoods and to be a catalyst for positive change.  It also illustrates the cultural, political, economic and personal dimensions of art.”

Public art centers like the Stifel Fine Arts Center, McKowen says, have a special mission to foster artistic growth.

“Part of the growth process is to have new stimulus. We strive to bring in things we normally don’t get to see in Wheeling and make them accessible for local artists and art lovers to view and engage in conversation.”

The Bloomfield-Garfield Corporation and Most Wanted Fine Art have jointly organized #OpenOnPenn.  In addition to Sauer, other featured artists include Danielle Robinson, D.S Kinsel, J.R Holtz, and Sam Thorp. Also, more than a dozen Penn Avenue galleries will be represented with works in the show.

Other Featured Artists Include:

J.R. Holtz
With a self-described “novelty” style, artist J.R. Holtz paints directly on glass, which gives his work a glossy, finished look–almost like framed animation cels.  His diverse subject matter ranges from cartoon characters, superheroes and pop culture icons to nature images, science fiction and Pittsburgh sports.

J.R. Holtz

D.S. Kinsel
D.S. Kinsel is a self described “black creative entrepreneur and cultural agitator,” whose mediums for creative expression include painting, window display, installation, curating, action-painting, non-traditional performance and social media. His work is a reflection of his race, culture and generation. He strives to encourage audiences to reevaluate their ideas of fine art.

D.S. Kinsel

Danielle Robinson
Painter Danielle Robinson’s work is inspired by black women, fantasy/sci-fi, graffiti, color, nature, art deco, African art and the occult.  When asked about black women as a recurring theme in her work, Robison says, “Black women have always been under-represented in art. I paint what I know and love. Amazing black women have always been the center of my life.”

“Rose Goddess” by Danielle Robinson

Sam Thorp
Sam Thorp is classically trained in anatomy and fine art but experiments in modern technology to supplement traditional image making. Thorp’s subject matter is rooted in western tradition of figure studies with a deep interest in psychology and the personality of the models. The result is not a mere design or hunks of flesh but an expression of the living, breathing uniqueness of each person.

Artwork by Sam Thorp

Opening Reception Features Pierogies, Rock Bottom Brewery & Artists Market

#OpenOnPenn opens Thursday, September 7 at Oglebay Institute’s Stifel Fine Arts Center, 1330 National Road, Wheeling.  A free, public reception takes place from 6:30 p.m. – 8:30 pm.

McKowen said the Stifel Center will take on a “Penn Ave vibe” complete with Pittsburgh pierogies, beer from Pittsburgh’s Rock Bottom Brewery and music from Penn Ave artists.  An artist market, similar to the popular Penn Ave street market, will be set up in the gallery with a variety of artwork available to purchase.

Several Penn Avenue artists will be in attendance and available to discuss their artwork as well as the Penn Ave revitalization through the arts.

“Everyone is invited to join us and soak up Penn Avenue’s creative energy.   Families, singles, students, seniors, regular Stifel patrons and first-time visitors will find this exhibit engaging.”

If you can’t make it to the opening reception September 7, you will have other chances to view #OpenOnPenn.  It will be on display through October 27.  The Stifel Center is open 9 a.m. – 5p.m. Monday through Friday and 10 a.m. to 4 p.m. Saturdays.  Evening hours are dependent on classes and special events. Admission to the gallery is free.

Thank you, Sponsors.

#OpenOnPenn is part of Oglebay Institute’s 2017-18 season of art exhibitions, which is sponsored by United Bank.

Part of the Helen B. Gaither Exhibition Season, this exhibit was also made possible through the generous support of the members of the Institute as well as with financial assistance from the West Virginia Division of Culture and History and the National Endowment for the Arts, with approval from the West Virginia Commission on the Arts.