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Decorator Lends Time & Talent for ‘Holidays at the Mansion’ for Five Decades

By Phyllis Sigal

Fifty years ago, Scott Klinkoski helped decorate a nutcracker-themed holiday room — it was the first time he participated in the Oglebay Institute Mansion Museum holiday tradition, “Holidays at the Mansion.” And this year, the nutcracker reared its giant head again.

Klinkoski recalls that first year. He was working at downtown Wheeling department store Store & Thomas. His dad, Frank Klinkoski, who worked with store displays there, sent him along to assist the store’s head designer, Lynn Buch.

And he’s been doing it ever since, with the exception of only a couple of years

‘ROOM’-INATION

A live ballerina was part of the first-floor parlor decor 50 years ago. “Her back was to the door, then she’d get up and start to dance with a nutcracker,” he said. “There was a big tree. I built a puppet theater at the shop at Stone & Thomas, and we put the puppet theater in the corner.”

Klinkoski said he’s worked on every room in the mansion, at least once or twice.

Scott Klinkoski has been decorating for “Holidays at the Mansion” at Oglebay Institute’s Mansion Museum in Wheeling for fifty years and counting. He has decorated every room in the historic mansion, at least once or twice.

Probably his favorite project in all 50 years was the Christmas wedding-themed room. The bride and groom — mannequins from Stone & Thomas — were the focal point in the parlor.

Other themes Klinkoski recalls are the 12 Days of Christmas, the Oglebay family, Dickens’ “A Christmas Carol,” toys in the mansion, Thanksgiving at the mansion, storybooks, candy, “It’s a Small World,” nationalities, music, and, snow and ice.

Klinkoski believes his most creative room was one in which spirits were in flight in the dining room. “Everyone wondered how we made gold see-through figures.” The secret? “Metal window screen sprayed gold and hand-shaped into flowing, flying figures,” he shared.

THIS YEAR’S MANSION

Klinkoski, along with nutcracker collector Dick Taylor, were assigned several areas of the mansion — the reception room, the front hall stairway, and the front hallway. Taylor constructed four giant nutcrackers – a butler, two traditional nutcrackers standing sentry near the front door, and a welcoming butler in the reception room.

Taylor has added his decorating flair and another set of helping hands for about 17 years. “We make a good team,” he said. “We both have the same eye for decorating.”

“You need extra hands to place decor, hand up to each other items when on a ladder, and you need extra eyes to check placement,” Klinkoski noted.

This year’s theme was right up Taylor’s alley, as he has a collection of more than 500 nutcrackers at his home, many of which are gracing the hallway and entryway at the Mansion Museum this holiday season.

Taylor constructed the four giant nutcrackers for this year’s display, using a variety of odds and ends. Tubes that are usually used to pour cement pillars became the nutcrackers’ bodies; legs were 2X4s covered with cardboard tubes from a local carpet store; pool noodles became arms for the butler nutcracker. The butler — which Taylor said was the most fun to make —  is wearing Taylor’s own tuxedo jacket and an old pair of his shoes. The king nutcracker that stands near the staircase in the hallway, wears an upside-down flowerpot embellished with jewels as a crown, and he holds a gold shower curtain rod from Goodwill as his staff.

Dick Taylor constructed four giant nutcrackers for this year’s “Holidays at the Mansion” display, using a variety of odds and ends.

“It’s just so much fun. I just love Christmas,” he said. And, along with the Mansion Museum, Taylor spruces up his own home with 54 trees, the 500-plus nutcrackers, and 111 nativities! “As soon as the Hallmark movies come out in October, that’s my green light to go to town,” he said.

TRUE DEVOTION

Klinkoski spends hours and hours on the mansion project — at least 20 hours for preparations and another five to six for installations. “It starts my holiday season. It puts me in the mood,” he said. “It’s pure enjoyment.”

His favorite part of the process is finding out the theme. “Once the theme is out there … the elements seem to come to you,” he said. “We like the themes broad … ones that let us interpret them.” This year’s nutcracker theme went in a couple of directions — either an actual nutcracker as the feature of a room or “The Nutcracker” ballet. “They combine to tell the entire story,” Klinkoski said.

“Most of us don’t live in homes like this … it’s really fun to work in a space you’re not living in,” Klinkoski said.

The project itself is quite fulfilling. “Any decorator derives satisfaction from standing back and seeing the finished [room],” he noted. “Seeing the faces of guests light up as they tour all the rooms lets me know they have gone to a happy place.”

Taylor concurred: “It gives me pleasure to know people will love it and go ‘oooh and ahhh.’”

BUSY, BUSY

And now that Klinkoski’s retired (after a couple of years in visual display at Kaufmann’s of Pittsburgh, a couple of decades following in his father’s footsteps at Stone & Thomas, and about 14 years at Corpus Christi), he’s busier than ever … “but, it’s a lot more fun.”

He has a history with many area events — “Everybody knows me, there’s trust. A lot of people say ‘Call Scott,’” he said. He decorates at Oglebay’s Wilson Lodge, does lighting for area weddings, embellishes the chandelier in Glessner Auditorium at Wilson Lodge for the Viennese Winter Ball, and decorates the Capitol Theatre, WesBanco Arena, and the tree on the Market Plaza in downtown Wheeling, just to name a few things that keep him up on a ladder.

“I like being busy and still climbing ladders. It’s a combination of energy and passion. You just gotta keep going.”

TIPS FOR DECORATORS

Speaking of ladders, don’t forget to bring yours, Klinkoski tells future Mansion Museum decorators. (Dozens of area volunteers spruce up 15 rooms and areas at the Mansion Museum’s holiday event.)

Tip no. 2: R-E-S-P-E-C-T. “Respect Mansion Museum decorating rules. … Respect the furniture and furnishings. There are ways to handle chairs and ask for removals. Do not sit on antiques.”

No. 3: Do not bring food or drinks into the rooms.

No. 4: Decorate your room as if it was going to be used by the Oglebay family. Think “magazine ready,” he suggests.

THE NEXT RUNG OF THE LADDER

While Klinkoski loves the Mansion Museum, he has a bigger aspiration for next year — that of decorating a room at the White House for the holidays. “The first lady picks the theme,” he said, noting that “an army” completes the work.

If he could pick a theme for his White House room, it would be “paper,” he said. Paper was chosen as a “medium,” rather than a theme, one year at the Mansion Museum. He made bows out of paper, used strips of paper in the decor, and made paper flowers to decorate the room.

If 50 years of decorating a holiday room at the Oglebay Institute Mansion Museum isn’t a strong enough resume builder to cinch a White House gig, then what is? Perhaps Klinkoski will be toting that ladder to Washington, D.C., in 2023.

VISIT

Visitors can tour the Mansion Museum from 10 a.m. to 5 p.m. Sunday through Thursday and 10 a.m. to 10 p.m Fridays and Saturdays. Guests should arrive at least 30 minutes prior to closing to allow time to tour. The Museums are closed Christmas Day and New Year’s Day. Call 304-242-7272 for more information or visit online.

Spoken Word Program Puts Women Writers in the Spotlight

By Phyllis Sigal

First, there was “Empty Step,” created in the 1980s. Then there was Oglebay Institute’s “The Prosers.” And most recently, the “Women of Appalachia Project “(WOAP) graced the Towngate stage.

And now, inspired by those spoken word programs of the past, Women of Wheeling (WOW) will take the spotlight Saturday, Dec. 3, at Oglebay Institute’s Towngate Theatre for an evening of “Winter Poems for Light in Darkness.”

Tim Thompson, OI director of performing arts, was determined to continue presenting spoken word and poetry at the facility. “So I thought, ‘hey, why don’t we bring back Empty Step,’” he said. “I got the idea of celebrating our local women poets/actors, and ‘WOW’ just came to me,” Thompson said.

THE BACKSTORY

Tim Thompson has fond memories of performing with the spoken word program Empty Step, founded by Maribeth Thompson, Patricia Paton, and the late Tom Stobart. The first Empty Step was held on Wheeling Island at the iconic red brick building where flood levels were posted for decades. “The building is gone now, but the pillar with [flood] levels remains. It was very informal. [We] sat around and shared poems and stories,” he recalled.

“Sto [as Stobart was referred to] would seek out different poets to feature and venues — usually bars — like The Office and Cork & Bottle … also the YWCA to name a few. Everyone would want to read … Hal [O’Leary], Bettie Steele, Maribeth Thompson, Stobart, Howard Monroe, Terry Gurley, Debbie Hynes, Kate Crosbie, Kathleen Gurley, Rick Call, Arlene Merryman, Michael Ramsay, Dee Gregg, etc. … All the best of the best in town. It was special … and I wanted to bring it back in some way,” Tim Thompson explained.

Each Empty Step program was thematic, and, in addition to the featured poet, included readings and open mic portions. “It was a wonderful success,” Maribeth Thompson said, noting that Empty Step spanned around 10 years, from the early 1980s to the 1990s.

Her favorite Empty Step featured Beat poetry with musical accompaniment — a bongo drum, of course, along with other instruments. Held at Ernie’s Cork & Bottle, then located on 12th Street in downtown Wheeling, the “ambiance led to the power of the performance,” she said.

Maribeth Thompson is ecstatic that the program has been resurrected. “Oh, I love the idea! It’s very special … and so satisfying on so many levels. It tickles me to death!” she shared. “Often we’d find the featured poet from the open mic. Tom and I would be so excited and plan a program around them. … We unearthed a lot of talent.”

A NEW CHAPTER

“I wanted to celebrate the incredibly talented women in our city and give them a platform to share their voices,” Tim Thompson said. “Our local men have many more opportunities to be onstage than women. More roles are for men, but yet more women audition. So, I found it important to give our talented women a spotlight.”

Maribeth Thompson echoed his sentiments. “Anything that presents women in an insightful light is very important. That’s very dear to my heart.”

As a nod back to the original Empty Step presentations, there will be three segments, each lasting around 40 minutes — featured poet, dramatic readings, and open mic.

Featured poet at the inaugural program is Bonnie Thurston. “Bonnie is brilliant, creative, an excellent and seasoned speaker, and accomplished poet. She is a pillar of our community and needs to be recognized by more people as such. Bonnie has been published many times over in the U.S. and U.K.,” Tim Thompson said

In fact, Thurston was an inspiration for the program. “After we had WOAP perform, Bonnie reached out to me to say she would love the opportunity to read her poetry at Towngate. I said, ‘Enough said … let’s do it!’ So I started to think how we could rethink a spoken word program, and between Bonnie and WOAP… I came up with WOW,” he said. He also noted that “WOW” is a “good way to describe Bonnie.”

‘LIGHT IN DARKNESS’

Thurston, who doesn’t consider herself a nature poet, admits that her work “does tend to deal with the natural world.” While winter is a season, she believes it is “a metaphor for interior things as well,” she said.

“Things have generally been so awful in the world that a gentle theme like ‘light in darkness’ might be of comfort to people, not in a Pollyanna way, but in a way that takes seriously the darkness … but isn’t ‘overcome’ by it,” she added.

Reading mostly her own poems along with work from a few other poets, Thurston said the poems will focus “on the season of winter and some of the religious holidays that occur therein, poems which invite us to find the light in the darkness.”

Bonnie Thurston

Thurston began writing poetry as a child and published her first poems while attending Bethany College. She has taught English and theology at the University of Virginia, Wheeling Jesuit University, and Bethany College, to name a few. Her work is widely published in periodicals and anthologized in the U.S. and U.K. She has published seven collections of poetry, including her 2022 collection, “Forgotten Futures,” which won the Cinnamon Press (Wales) chapbook contest. A lover of her native West Virginia hills, Thurston is an avid reader, gardener, cook, and classical music lover.

SHAKESPEARE’S WOMEN

For the second segment of the evening, Maribeth Thompson has selected powerful passages that involve women from 17 of Shakespeare’s plays — “A Midsummer Night’s Dream,” “King Lear,” “Macbeth,” “Hamlet,” “Romeo and Juliet,” “Taming of the Shrew,” “Twelfth Night,” and “Julius Caesar,” to name a few.

“Excerpts — both light and dark — are reflections of [women’s] relationships with others …. Their husbands, their lovers, their fathers, their friends … how some women can be strong in the face of adversity and how some are not strong in the face of adversity, as shown through Shakespeare’s characters,” she explained.

The readers — C.J. Farnsworth, Cathie Spencer, Dee Gregg, Rachel Thompson, and Grace Thompson (“Five of Towngate’s best,” Tim Thompson said) — will be directed by Maribeth Thompson.

STEP RIGHT UP

The evening will end with an open mic. Poets and storytellers, new and experienced, shy and bold, can bring their original poetry and prose to share. “… something they have written or want to share. We want to hear your voice,” Tim Thompson said.

Readers may sign up during intermission.

‘LOVE’ THE SEQUEL

The second installment of WOW, set for Feb. 25, 2023, features poet C.J. Farnsworth. The theme is “Free Love.”

“Historically, women’s voices on the subject of love have been repressed, regulated, and ridiculed, but the literary arts have always provided women with some agency to speak freely, openly, truthfully on the subject of love … and so the evening would celebrate women’s voices, free of sentiment and stereotype, on the subject of love,” Farnsworth explained.

Future programs, Tim Thompson said, will likely take on the name “Empty Step,” with blessings from Maribeth Thompson. Both men and women will be featured.

Maribeth Thompson — a retired English teacher and current library associate at the Schiappa Library in Steubenville — said she’d be delighted to continue working with the program.

“It’s a real joy to me,” she said, noting that she loves to have her artistic needs met this way.

Her history with Towngate runs deep — as an actor (Dorine in “Tartuffe,” Nurse Ratched in “One Flew Over the Cuckoo’s Nest,” Bella in “Lost in Yonkers,” Emily Dickinson in “Belle of Amherst,”) and as a director of several Parcel Players Shakespeare productions and “The Dresser.” Produced several years ago, “The Dresser” is her all-time favorite. “That was a joy of my life doing that show,” she said.

TOWNGATE, MORE THAN THEATER

Part of the OI mission reads: “… to foster appreciation, expression, and discovery by engaging people of all ages and abilities,” Tim Thompson said. “This is one reason we include the spoken word program. Another is part of the Towngate mission … to offer many different types of top-notch, quality performances to our community — not only plays — but all performing arts and let the people in our community select what they want to see and hear. And just maybe, by being at one event, it may inspire them to try another. Something for everyone to perform in or come and see … a win-win!”

DETAILS

Women of Wheeling “Winter Poems for Light in Darkness” begins at 7 p.m. Saturday, Dec. 3, at Towngate Theatre. The program is part of Towngate’s “Second Season” series, which includes spoken word programs, live music, improv shows and more. These programs are sponsored by Main Street Bank.

Admission is $7. Purchase tickets online, call 304-242-7700 or purchase at the door.

Theater in Wheeling - Oglebay Institute's Towngate Theatre
Towngate Theatre is located at 2118 Market Street, Wheeling.